Under the Chinar Trees: My Wanderings in the Kashmir Valley (Part 3)
A Journey Through Pahalgam’s Living Postcards
Our first destination today was Aru Valley, located about 12 kilometers upstream from Pahalgam. We started our day early to beat the crowds, and our reward was finding the valley almost entirely to ourselves. There was a profound, untouched stillness to the morning; even the ponies, usually the heartbeat of the valley's activity, had yet to arrive. Stepping out onto the meadows felt like stepping onto a vast, plush carpet. We walked across the soft grass, which was still dewy and resilient underfoot. As far as our eyes could travel, the world was a sprawling canvas of vibrant, emerald green. This serene, bowl-shaped meadow felt like a secret kept by the earth, completely encircled by mist-capped mountains that stood as silent guardians. On the distant horizon, the vibrant floor of the valley met the sky in a jagged line of pines, oaks, and cedars. These ancient forests created a dark, textured fringe against the soft morning light. The landscape was sparsely punctuated by the occasional cluster of grazing livestock that moved like slow, white clouds across the grass. Breathing in the air—crisp, thin, and naturally filtered by the surrounding deodar forests—we explored the quiet trails of this high-altitude haven. Without the chatter of tourists or the bells of the ponies, the only sound was the wind whispering through the trees, making our time in Aru feel like a private audience with the Himalayas.
Where the road ends and peace begins
From the rugged peace of Aru, we moved to the iconic Betaab Valley. Originally known as Hagan Valley, it was renamed after the 1983 Bollywood blockbuster Betaab was filmed here, turning it into a symbol of romance and natural beauty. The valley is a masterpiece of composition. The crystal-clear river cuts through the center, its banks lined with weeping willow trees and poplars. Every angle felt like a deliberate work of art, with stone-paved paths winding through perfectly manicured gardens that felt hidden away from the rest of the world. Some locals tell tales of the "Singing Streams." It is believed that if one sits in total silence by the riverbanks at twilight, the sound of the water cascading over the pebbles mimics the soft humming of a lullaby meant to put the valley to sleep. What makes Betaab truly spectacular is its framing. The valley floor is lush and low, making the surrounding mountains appear even more colossal. While Aru is wild and open, Betaab feels like a sheltered sanctuary. We spent hours simply sitting on the wooden benches, watching the mist dance around the mountain peaks and feeling the cool, pine-scented breeze brush against our faces. It truly felt like walking through a living postcard where time had decided to stand still.
As the sun began to dip behind the peaks, we returned to the town center for a slow stroll through the local market area. The atmosphere was thick with vibrant mountain culture—the enticing aroma of Kashmiri cuisine, colorful pashmina shawls, and the rhythmic clinking of copperware being engraved. We watched locals in their traditional Pherans gathering for evening tea, their warm smiles a perfect reflection of the valley’s legendary hospitality.
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